I am a self-taught composer of classical music. I was born in Chesterfield, England in 1957, and moved to France in 1981, where I have lived ever since.
After writing music for many years with no prospect of being performed, some scores and mock-ups of my music reached the attention of Martin Anderson of Toccata Classics and Toccata Press in the summer of 2013. Martin also writes for a variety of publications, including The Independent, International Record Review, and Tempo in the U.K., Klassisk in Norway, and Finnish Music Quarterly. He described my Third and Fourth Symphonies as "some of the best orchestral music by a British composer in the last fifty years". The immediate consequence of this recognition was a request from David Conway who runs the Indian Summer of Music festival in Levoča, Slovakia to perform there my string quartet The Girl from Marseille. This was followed the year after by the first performance, at the same festival, of the string quartet The Cage of Opprobrium, written especially for Levoča.
September 2017 saw the release by Tocccata Classics of a recording of my Third Symphony and other orchestral weeks by the Royal Liverpool Philharmonc orchestra conducted by Paul Mann. It was almost immediately chosen as BBC Radio 3's disc of the week, bringing me into contact with other composers, conductors and music-lovers, and attracting positive reviews. Later that year, Mark Eager gave the first performance of my Fifth Symphony with the Cardiff University Symphony Orchestra, and in December the BBC Philharmonic gave a live broadcast of Choses Renversées par le Temps ou la Destruction, one of the other pieces on the disc, conducted by Moritz Gnann.
In May 2018, the Veles Ensemble together with guest musicians recorded the first disc of my chamber music for Toccata Classics. It included the sextet An Outstretched Hand and the Clarinet Sextet. This recording was released in December 2018
Plans for 2019 include a recording by the BBC Philharmonic of my Fourth Symphony and other orchestral works.
Over the long period during which I didn't expect my work to be heard I got into the habit of making mock-ups of some of my works using quality sound libraries to let people hear what I’m doing. On this site I’ve put extracts from some of these (see the "Works" page), which I am gradually replacing with real recordings as these become available.
December 31, 2018
© Copyright Steve Elcock 2020